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A Feminist Reading on the Exploration of Female Identity and Sexuality in Sri Lankan Cinema: A Case Study of Asoka Handagama’s Selected Works

 

N.K.H.T. Sankalpani and H.A.M.A. Hapugoda

References

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Fonseka, S. L. P. (2014). Silence in Sri Lankan cinema from 1990 to 2010 (Master's thesis, University of Sydney).
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Handagama, A. (2006, May 30). (P. Wijesiriwardene, Interviewer)
Handagama, A. (2011). (Y. A. Television, Interviewer)
Handagama, A. (2011). (Y. A. Television, Interviewer)
Handagama, A. (2019, June 17). (N. Sankalpani, Interviewer)
Handagama, A. (Director). (2002). Thani Thatuwen Piyambanna [Motion Picture].
Handagama, A. (Director). (2005). Aksharaya [Motion Picture].
Hapugoda, M. (2016, May 12). Contradictory Discourse about Three Discourses, Three Subjects: ‘Let Her Cry’…. Thrimana. Retrieved from 3mana.com/පන්ති-අරගලයසිනමාව-සහ-පක්ෂය/
Hapugoda, M. (2019, March 23). අසන්ධිමිත්තා ගැන වසඟකාරී විචාරයක්. Retrieved from Youtube: https://www.youtube.com/watch?v=HBy-hyWtSeU
Harischandra, N. (2019, May 8). (N. Sankalpani, Interviewer)
Janadare, A. (2019, April 25). (N. Sankalpani, Interviewer)
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Silverman, K. (1988). The Acoustic Mirror: Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.

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